The service airlock cycles open and a bulky figure somersaults into the cargo hold. From my vantage point in the control booth she is just another hull tech happy to be back inside the space station. She breaks her momentum by touching her magnetic boot soles to a support spar. She pops open her dark outer faceplate, winks at me, then pops it shut again.
She struts down the spar. A dip here, a saucy hip bump there, she is moving to the rhythmic clank of the loading bots. She disappears from my line of sight for a moment. I could follow her on the monitors, but I know what she will do next.
She detaches herself from the spar and twirls gracefully in free fall. Her trajectory gives me an excellent view. She mimics dance moves and seductive poses. She never loses the beat.
When her back is toward me, there is an explosion at her elbow. There is no sound. The cargo hold is not pressurized. I see a small flash of air escape and burn red before the suit’s safety shuts off those lines. She pivots with her arms over her head as she pulls the glove off one finger at a time.
As she flings the glove away her other elbow explodes. She shimmies as she pulls the second glove off. Then poses and opens her faceplate again to wink at me. Her flesh looks lush and warm against the stark contrast of the white suit and dark grey walls.
For a moment I am acutely aware that this is all a fantasy. If it were real I would be hearing emergency sirens. The cargo hold is the same temperature as the void outside and even enhanced humans can only survive minutes of exposure.
She somersaults once, then twists and arches backward. A small line of explosions trail down her torso. As she loops around she wiggles out of the outer layer of the suit. I can see the outline of her lean, muscular body as she arches backward again.
She does not discard the outer layer of the suit immediately. She flips up her outer faceplate and gives me a sultry stare as she pretends to modestly hide behind the torn fabric. Rotating and gyrating, she lets me see a little bit of the inner layer here and there.
As she whirls the outer suit away one hip explodes. She anchors her other foot to a support spar. She slowly stretches her legs apart while pushing the torn inner suit layer up to her boot.
She has been moving closer to me since she left the first spar and I can see her clearly. My breath catches as she removes the boot. Losing a mag boot in zero g is a catastrophe. The look on her face is blissful as she tosses it away.
Then there is an explosion on her other hip. She pushes off the spar as she starts to remove the other leg of her suit. Watching the second boot spin away is almost anticlimactic.
No human would still be alive. She is vibrant and animated and still moving to the rhythm of the loader bots. As she moves closer to me I feel the excitement build. She appears to be unaltered homo sapiens without a trace of genetic modification or structural enhancements, which is so rare as to be impossible.
She summersaults again, slowly removing what is left of the inner suit. She looks deeply satisfied as she pops open her collar and slides the helmet over her head. Her dark, silky hair floats out around her. She is still wearing her breathing tubes and air tanks.
She is only meters away from me when she removes the tubes and gets rid of the tanks with a dismissive flick of her wrist. She is moving slowly as she glides up to the clear plastic of the booth. She should be suffocating but she is calm as she presses her naked body against the plastic. I watch in wonder as blue sparks race over her and the plastic conforms to her shape and then gives way.
Suddenly she is in the booth with me. No air has escaped. The plastic has sealed itself behind her. I feel her warm breath on my face.
This is where the interactive portion begins and I am slightly dizzy as I slip out of the digital reality. The invincible woman in the cargo hold is me, as I was decades ago.
I recorded the sequence piece by piece in my cabin on the space station where I worked as a communications officer. I spent hours splicing footage together to erase my modifications and create the illusion of the exploding space suit. Then I dubbed in the cargo hold as a background.
My sister worked on the same station as the medical tech. She did the neural scan that forms the basis of the interactive portion. We made some thoughtful alterations to the scan so that I could release it anonymously.
At the time, I thought I was merely creating a harmless fantasy, something to help lonely spacers pass the time. New technology is now allowing unaltered humans to establish settlements in deep space. They are competing with us for resources and disrupting our culture. The digital fantasy I created so long ago is now political.
I have advanced in my career from communications officer to general. I am working with a group of my peers and we are reviewing all communications which contain sensitive material. None of them know I created this fantasy. They consider it to be dangerous.
If the invaders realize we view them as exotic and desirable, they will have an advantage. That knowledge will encourage them to seduce us. My peers are fearful and favor puritanical repression. I do not agree but I remain quiet.